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Stabilo CarbOthello pastel pencils review and playing with Acrylic Paint

It’s that time of year again where all sorts of colds and bugs are going round, and unfortunately I finally succumbed to it this week! Being ill sucks but I was still determined to get some art done in between my sneezing and coughing!

My review of Stabilo CarbOthello pastel pencils is now available for you to watch on my Youtube channel, and I also show you how I drew my leopard portrait in pastels in this video too!


I’ve also been playing with my Rembrandt soft pastels for my upcoming review of them on YouTube! This landscape was a quick A4 study and took me around 50 minutes. Hopefully I should have a video about them up as soon as my voice recovers!

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Recently, on a whim, I bought some Winsor and Newton Galeria acrylic paints to try out. I’ve not painted with acrylics since my art GCSE. It’s amazing how much you remember about a medium even after a decade! This is a little 2-hour test painting  on a cheap canvas board that I did with them using my own reference photo. Not the most exciting of paintings and the canvas texture was a little too rough to get detail in easily, but I just wanted to see what I was capable of!

This little guy is a blue tit on 18 x 12.5cm canvas board. Own reference photo used. It only took around two hours to complete!
This little guy is a blue tit on 18 x 12.5cm canvas board. Own reference photo used. It only took around two hours to complete!

I was surprised at just how much I enjoyed painting with them so I decided to start on a more serious project.

Yesterday I started a painting of a male greater kudu in acrylic. I’m doing this on an ampersand smooth board which was left over from a failed coloured pencil attempt (yay for recycling!) This is a very different way of working to what I’m used to in coloured pencils, so I’m finding it a little tricky! It’s so much fun though!

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I need to stop working on so many pieces at once! Last but not least, I’m still working on my okapi drawing in coloured pencil. The okapi’s face is starting to come together now that most of the underpainting in that area is done! Started off with just blues and greens and black, but I added some reddish browns and bright purples into the shadows of the fur afterwards as an experiment, and WOW did it bring the animal to life!

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There’s still a lot of work left to go on this guy but I’m having so much fun with those green and blue pencils that the time is flying by. It’s kind of hard to even tell what you’re looking at at this stage as none of the fur or fine details have been blocked in yet (!) but hopefully it’s going to start taking shape and start looking a lot more tangible soon.

Until next time!

 

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“Troy” pet portrait, and amur leopard in soft pastels!

"Troy" - 11 x 14inch commission in coloured pencil. Art by Wild Portrait Artist. SOLD.

 

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“Troy” – 11 x 14inch commission in coloured pencil.

This beautiful boy was one of my Christmas commissions. His endearing puppy-dog-eyes and sweet expression were so much fun to render  It was so refreshing to work with paint thinner again for my coloured pencil art too. I didn’t realise how much I missed it!

This piece was drawn using Caran d’Ache Luminance, Caran d’Ache Pablo, Faber Castell Polychromos and Derwent Drawing coloured pencils. The paper I used was Fabriano Artistico 140lb Hot Pressed Watercolour Paper. I used Daler Rowney odourless paint thinner to blend. Touch-Up Texture and Titanium White powder were used on the chest to pull out the white hairs and highlights on his collar.

My sped-up tutorial is available to watch on YouTube now. The 2 hour version of tutorial will also be available for my Patreon supporters at the $4 tier very soon!

 

I also completed my drawing of an amur leopard in soft pastels last week.

"Determination" - 30 x 40cm portrait of an amur leopard in pastels.
“Determination” – 30 x 40cm portrait of an amur leopard in pastels.

 This piece is now available for sale on my Etsy, so check it out if you’re interested! 

This was such a fun experiment. I may have started off a little wonky on the chin and mouth area, but once I got the hang of the medium it was as natural as riding a bike.

The tools I used to create this piece are Rembrandt soft pastels and Stabilo Carbothello pastel pencils on Clairefontaine pastelmat. Reference photo by Katerina Mirus from Wildlife Reference Photos, used with permission.

Soft pastel is a really enjoyable medium to work in. Expect to see more in this medium from me in the future! I can definitely see myself doing lots of little landscape studies in this medium.

The fully commentated tutorial video for this piece will be available this weekend! I’ll also be reviewing and discussing my thoughts on the brands I used to make this piece too. I might end up splitting it into two videos depending on how long it is. Stay tuned!

 

Last but not least I also started on a new coloured pencil drawing this week.

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“Mythical Beast” – work in progress. Coloured pencils on Fisher 400 sanded paper. I’m about an hour into this drawing so far.

I’m so excited to share this one with you. The concept to this drawing has been swirling around in my head for months now and I finally have a spare moment to start putting it onto paper! 😀 The subject for this drawing is my absolute favourite animal – the okapi. They are an endangered species native to the Congo and their closest relative is the giraffe. When they were first discovered they were so strange-looking that they were thought to be mythical creatures – hence the title of this piece – “Mythical Beast.”

I’m trying to get a sense of mystic surrealism in this portrait so I chose to have the okapi looking up at the aurora borealis – something you would never normally see in the tropical forests! It also gives me the excuse to use lots of pretty blues and greens, muahaha!

I’m using Caran d’Ache Pablos, Caran d’Ache Luminance, Faber Castell Polychromos and Derwent Drawing pencils for this drawing. I’m using powder blender to blend the background, but I’ll also be trying out paint thinner when I get to the okapi itself as I’ve never tried using paint thinner on sanded paper before! I still marvel at how quickly I can get things done with the powder blender. I’m only an hour and ten minutes into the drawing so far, and my background is already almost finished!

I’m also trying out Fisher 400 paper for the first time for this drawing. The tooth of the paper is wonderfully consistent, and in my opinion is superior to UArt paper.

 

This is turning into a long blog post so I’m going to leave it here for now! I’ve got lots more in store for you guys so keep your eyes peeled 🙂

 

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Patreon!

for twitter

Hi guys! Did you know that I have a Patreon? I’m offering extended 1-2 hour voiced tutorials, monthly prints or posters, as well as 10 high resolution, royalty-free reference photos a month, taken by me for you to use in your artwork! Check it out here: https://www.patreon.com/WildPortraitArtist

Becoming my supporter on Patreon would also help me improve the production quality and frequency of my Youtube videos! I would really appreciate the support in making steps towards becoming a self-sustaining artist. I’ve been a busy bee setting things up and getting my first Patreon rewards sent out for this month.

At the $4 pledge, this month’s extended tutorial is going to be of my “Hyacinth Macaw” drawing in coloured pencil, using the colored pencil powder blender. I am currently in the process of adding commentary to it and it should hopefully be available by next week.

This month’s 12$ pledge reference photos were uploaded yesterday and are ready to download right now! These photos will be available for download until 1st February, when they will be removed and replaced with next month’s photos so be sure to download them before next month!

Happy New Year and I’m so excited to show you what I have in store for the future!

https://www.patreon.com/WildPortraitArtist

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Christmas Update

"First Snow" Watercolour sketch

This is just a quick update to wish you all a happy holiday season regardless of what you celebrate, and to let you know what I have in store for you guys in the new year. Now that the busiest season of the year is over, I can relax and put my feet up! ;D

 

Last month I uploaded the commentated timelapse tutorial for my hyacinth macaw drawing on youtube – check it out if you haven’t already! Just one thing I would like to mention in addition to what I have said about UArt 800 paper in this video – it turns out that the weird rippling effect I couldn’t get rid of was due to a manufacturing fault from a faulty batch that went out in 2015. I have since got in touch with UArt and they have very kindly offered to send me a replacement. If you have been experiencing similar issues with this particular brand of sanded paper then it is most likely due to that.

Now that my top-secret Christmas commissions are complete I have time again to work on other things. I’ve sketched out a fox from a gorgeous reference photo from wildlifereferencephotos.com. I’ll be trying out the Derwent Inktense sticks and pencils on this piece for a review on my YouTube channel. I love the reference photo I’m using, the fox has such a cheeky sly grin, I just hope I can portray it successfully in my rendition of it. Can’t wait to get painting!

cheeky fox sketch

 

Another project I’ve just started on is an amur leopard in pastels! For this piece I am using Rembrandt soft pastels and Carbothello pastel pencils on Clairefontaine Pastelmat. I’ve never properly used pastels before (the last time I used them was the doodle of a red cardinal I did two years ago). It’s an interesting experience. I have no idea what I’m doing but it’s fun! Right now I’m laying down dark colours to act as the underpainting, and then I’ll draw in the fur in lighter colours on top. This could go terribly wrong but it’s all a learning experience! 😉 I’ve always wanted to work in pastel but have never taken the plunge properly before now. We all have to start somewhere!

amur leopard work in progress in soft pastels

That’s about it for now. I’ll have tutorials/product reviews for both of the above coming in January/February, as well as a fully voiced tutorial for one of my christmas commissions in coloured pencil, so stay tuned! See you all in the New Year!

 

 

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Hyacinth Macaw in Coloured Pencil

"Hyacinth Macaw" - A4 drawing in coloured pencils with powder blender on UArt 800 sanded paper. Reference photo by Jan Willemsen from wildlifereferencephotos.com Art by Wild Portrait Artist. Available for sale.

Last weekend I finished my hyacinth macaw drawing in coloured pencil!

"Hyacinth Macaw" - A4 drawing in coloured pencils with powder blender on UArt 800 sanded paper. Reference photo by Jan Willemsen from wildlifereferencephotos.com
“Hyacinth Macaw” – A4 drawing in coloured pencils with powder blender on UArt 800 sanded paper. Reference photo by Jan Willemsen from wildlifereferencephotos.com

 

I’m relieved this one is over! I had a bit of a battle with the paper all the way through this one. I used Uart 800 grade paper. Even with textured fixative and very light layers with the powder blender, it just won’t take any more layers of pencil. Not ideal! I hadn’t really experienced these issues in my previous drawings with the same paper (jumping spider and praying mantis). In this piece I kept getting ugly vertical ridges showing through that just wouldn’t blend out and the pencils just weren’t sticking to the paper no matter how many sprays of textured fixative I gave it. The paper is so fine and delicate that it just couldn’t stand up to the abuse I was putting it through!

It’s a little frustrating that I couldn’t make it as detailed as I wanted to, but I’m glad I finished it nonetheless! I got to play with my blue coloured pencils, something I don’t get to do often 🙂

I don’t think I will be using Uart 800 for coloured pencil again after this experience. The 600 grade paper definitely seemed to fare better in my cheetah drawing. I have also purchased some Fisher 400 sanded paper, which I hope to be trying out in the near future.

As with most of my pieces nowadays I have recorded my full process for this artwork and I’m currently in the process of editing. Expect the tutorial to go up on my YouTube channel this weekend!

I am also so thrilled to announce that my coloured pencil piece “Companionship” received an Honourable Mention in this year’s Colored Pencil Magazine competition! The other winning entries are absolutely phenomenal. Definitely check them out in this month’s Colored Pencil Magazine if you get the chance!

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Christmas is a very busy time of year for me and I have several top-secret projects in the works. Updates will probably be a little slow during this period but please bear with me! I have a couple of treats for you lined up, including product reviews of Derwent Inktense pencils and blocks, and Rembrandt soft pastels, which I am really looking forward to testing out!

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Yum yum! My preciouses *strokes box*

There’s nothing quite as addictive as new art supplies!
Until next time!

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Staedtler Mars Lumograph Pencils Review

"Suki" - 11 x 14 inches, Staedtler Mars Lumograph pencils on Strathmore Bristol Vellum. Art by Wild Portrait Artist.

My review on Staedtler Mars Lumograph pencils is up on Youtube now! In the video I discuss my opinions and experiences using these pencils and show you how I used them for creating a drawing of my cat, Suki. Check it out if you’re interested in trying out this brand for your graphite drawings!

And here’s the finished drawing! I was having a bit of trouble photographing this piece without losing details because of the graphite shine. This is the best image I could get of it for now. Graphite can be a bit of a pain to photograph! I drew this as the companion piece of my drawing Toto, my other cat. I hope to eventually get them framed and have them side-by-side on my bedroom wall ❤

"Suki" - 11 x 14 inches, Staedtler Mars Lumograph pencils on Strathmore Bristol Vellum
“Suki” – 11 x 14 inches, Staedtler Mars Lumograph pencils on Strathmore Bristol Vellum

In the meantime my hard drive is in need of a serious clearout. I’ve currently been trawling through 480gb of wildlife photos and deleting the bad ones. And I only got into photography in January! I wish I hadn’t been so lazy and had deleted them as I went xD
There are so many. Help me.

Speaking of which, I’ve been spending some time uploading my photos to WildlifeReferencePhotos.com recently. This site provides artists with high quality reference photos that are royalty-free and high in detail for you to use in your artwork. You can find the jackdaw photo below and more on there, so check it out! 🙂

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Caw caw mother cluckers.

After a bit of an uphill struggle the background for my hyacinth macaw coloured pencil drawing is complete! I was almost going to scrap this drawing but I managed to rescue it last night. Sorry for the bad photo quality.

The pencils just weren’t sticking to the paper in the top right corner so I couldn’t get the area dark enough or a smooth gradient into the browns no matter how much I sprayed it with textured fixative, and I kept getting these ugly vertical lines from the texture of the paper showing through. I managed to rescue it by burnishing with my Luminance pencils, thankfully.

I think this is more an issue with Uart 800 paper than anything else. The sandy texture is so fine that it just can’t hold much pencil. The vertical lines are not something I’ve really noticed before in my previous drawing with this paper but I can see it being a bit of an issue. I’ll be trying out Fisher 400 paper soon and seeing how that compares.

In the meantime, I can’t wait to start colouring that macaw! I’ve been itching to draw something blue for ages!

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Sorry for the bad photo quality, it was kind of late at night! Or early in the morning, depending on how you look at it! Hehe 😛

Until next time!

 

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Finished cheetah drawing and tutorial

"Relaxed Afternoon" 42 x 29.7cm coloured pencil drawing on UArt 600 Sanded paper using powder blender. Own ref photo used. Art by Wild Portrait Artist. Available for sale.

Whew! It’s finished! Up till now the only things I had drawn using the powder blender were invertebrates, which are generally very shiny and easy to shade. I wanted to see how easy or difficult it would be to draw fur using the colored pencil painting kit, so I decided to draw this!

I discovered that it was so easy to draw in light hairs over a darker base colour, which made drawing fur miles easier! I used Uart 600 paper for this piece, instead of the Uart 800 paper I used in previous pieces, so it had a little more tooth. I found I could layer a lot more before running out of tooth, however the tradeoff for this was that I had difficulty in getting fine details and thin pencil lines. It was a fun drawing! It took me around 20 hours in total.

"Relaxed Afternoon" 42 x 29.7cm coloured pencil drawing on UArt 600 Sanded paper using powder blender. Own ref photo used.
“Relaxed Afternoon” 42 x 29.7cm coloured pencil drawing on UArt 600 Sanded paper using powder blender. Own ref photo used.

 

You can watch my commentated tutorial on how I created this drawing here:


Last but not least I just started working on my next graphite drawing! This time I’ll be drawing my grumpy old ragdoll, Suki this is the second in a pair of portraits, matching the one I did last year of Toto. I’ll be using Mars Lumograph pencils for this portrait for a product review video, and will let you know what I think of them next week! 🙂

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Meerkats in spaaaaace! (speed drawing, art tips video, and update on my Cheetah drawing)

Work in progress, coloured pencil and powder blender on sanded Uart 600 paper.
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“Asteroid Runner” – 9 x 12 pen and ink sketchbook doodle

 

I’m still working on my cheetah drawing in coloured pencil so this week’s update is about a sketchbook doodle I did recently! What made me put a meerkat in space? I have no idea. Kind of works though! Reference used was my own from one of my trips to Chester Zoo 😉  I used Rotring fine liners, waterproof calligraphy ink and a sword liner brush for this drawing. My sketchbook is a Strathmore Bristol Smooth 9×12 inch Visual Journal.

You can see the sped up video of me drawing this here:

 

In this week’s Art Tips video I show you some very easy and quick drawing exercises that will help you to become more confident and accurate with your drawing skills!

Last but not least I’ve progressed a little further with my cheetah drawing. I’m using powder blender and drawing on UART 600 sanded paper for this piece. I’m really enjoying how easy it is to draw fur with the colored pencil painting kit! You can go light to dark or dark to light, it doesn’t matter! So fun 😀

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Work in progress, coloured pencil and powder blender on sanded Uart 600 paper.

 

Busy bee! Hoping to have the cheetah finished by next thursday so that I can get the video tutorial for this drawing out on time. See you next time!

 

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How to use fixative sprays + new cheetah drawing!

cheetah colored pencil drawing work in progress using uart 600 grain paper and colored pencil powder blender

In this week’s Art Tips video I show you how to spray your artwork with fixative spray the right way!

 

Last week I started a new coloured pencil drawing using powder blender! I’m using my own reference photo of a cheetah from Chester Zoo for this one. This time I’m using UArt 600-grain paper and seeing how it compares to the 800-grain that I’ve been using in previous drawings. Really excited to be back to drawing fur again!

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On Friday I’ll be uploading a commentated tutorial to Youtube on how I drew my jumping spider, so stay tuned!

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Powder Blender tutorial!

"At the Edge" - 29 x 22cm, coloured pencil on UArt 800-grain paper. Made using the Colored Pencil Painting Kit. Art by Wild Portrait Artist. Available for sale.

Phew! A lot of updates this week. 3 completed full-blown drawings and two videos within one week is probably my best ever rate of production, though I should probably sleep at some point! 😂

Earlier on in the week I recorded an in-depth video review of the full coloured pencil painting kit  in which I discuss my opinions and my experiences with the powder blender and the rest of the Painting Kit range! If you have any interest in the powder blender and the rest of the kit, please do check it out! Also, if you live in the UK, Jacksonsart will be getting it in stock by the end of September! 😀

"The Alien" - 29 x 22cm, colored pencil on UArt 800-grain paper. Created using brushandpencil Powder Blender and Textured Fixative by Alyona Nickelsen
“The Alien” – 29 x 22cm, colored pencil on UArt 800-grain paper. Created using brushandpencil Powder Blender and Textured Fixative.

This is the drawing I made using the powder blender for my review. This piece only took me 6 hours!!! That is SUPER fast considering most pieces of this size, without the background, can take me upwards of 12+ hours usually! I still can’t believe how quickly I flew through this piece! I also made a commentated video tutorial for this drawing too which you can see below, which shows you just how easy the powder blender is to use with coloured pencil!

 

 

And last but not least, this drawing was fresh off the easel last night. Again, created with the Colored Pencil Painting Kit by Brush and Pencil. I love jumping spiders, they are such inquisitive little guys!  The video tutorial of me drawing this little guy will be out on Friday next week! Reference photo used from Roverhate on Pixabay.

 

"At the Edge" - 29 x 22cm, coloured pencil on UArt 800-grain paper. Made using the Colored Pencil Painting Kit.
“At the Edge” – 29 x 22cm, coloured pencil on UArt 800-grain paper. Made using the Colored Pencil Painting Kit.

That’s about it for this week! Phew! I think I need to lie down and sleep now! Stay tuned next week as Monday’s Art Tips video will be a mini-tutorial on how to spray fixative onto your drawings properly, and on Friday I’ll be posting the fully-commentated tutorial of my jumping spider drawing!

Adios, amigos!