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We’re already halfway through Inktober!

Inktober 2018 Day 12 - 'Whale'

Wow I can’t believe we’re already on day 17! This has been a really fun challenge so far and I’ve been really enjoying making drawings every day and sharing my experiences and thoughts with those of you over on Youtube. I’ve been experimenting with a variety of different styles and tools throughout the challenge. I’ve especially been playing around with Posca pens and have been loving the results they’re producing. Here are just a few of my favourites:

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If you want to see all of my drawings so far then be sure to check out my Youtube channel if you haven’t already! I’ve been uploading every day of the challenge. Throughout these videos I chat with you about techniques, finding your art style, experimentation and much more. You can watch all the days so far at the playlist below:

 

If you’ve not managed to participate in Inktober yet but still want to join in, don’t feel pressured into the thought that you have to “catch up” to everyone else – it doesn’t matter if you’ve missed days. The whole point is getting you drawing so don’t be afraid to just join in and have fun 🙂 And if you’ve made it this far with me, you’re doing a great job, keep it up because we’re over halfway now!

Once Inktober is over I will be doing a sketchbook tour of my Inktober journey as well as making select prints available of some of the artwork I’ve created throughout the month. I’ll keep you updated for when those are made available!

Hope to see you over on Youtube. Until next time!

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My review of Holbein Coloured Pencils is finally here!

This blog is sponsored by Amazon. All opinions stated in this blog are my own.

 

 


It’s the review quite a few of you have been waiting for! For this review I take an in-depth look at Holbein Coloured Pencils.

 

Are you drooling over these pencils as much as I am? You can find them for sale at the following links:

USA: https://amzn.to/2Nbfnag

UK: https://amzn.to/2MpfABC

The tutorial of “The Cliff Sentry” is also up on my Youtube channel. I use exclusively Holbein Coloured Pencils for this drawing- so if you want a better idea of how these pencils perform then it’s definitely worth checking out!

That’s about it for now – I have some VERY exciting news on the way, but for now I’ll leave you here! Until next time!

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Acrylic painting tutorial and horse eye ACEO in coloured pencil

"Gentle Eyes" - original 2.5 x 3.5 inch miniature ACEO/ATC drawing in coloured pencil, on Strathmore Bristol Vellum. I used a mixture of Touch-up Texture and Titanium White powder for the highlights. Own ref photo used. Art by Wild Portrait Artist. SOLD.

It’s been a busy time for me in the last few months but I am still somehow finding time here or there for art. A lot of things have happened since my last blog post and I have lots to update you guys on!

My tutorial for my Kudu painting in acrylics is now available to watch, check it out below. Don’t forget the longer version is available over on Patreon and goes really in-depth on all the techniques I’m using.

 

A few weeks ago I also made a tiny little drawing of a horse in coloured pencil, and tried a few new techniques out for it!

"Gentle Eyes" - original 2.5 x 3.5 inch miniature ACEO/ATC drawing in coloured pencil, on Strathmore Bristol Vellum. I used a mixture of Touch-up Texture and Titanium White powder for the highlights. Own ref photo used. Art by Wild Portrait Artist. Available for sale.
“Gentle Eyes” – original 2.5 x 3.5 inch miniature ACEO/ATC drawing in coloured pencil, on Strathmore Bristol Vellum. I used a mixture of Touch-up Texture and Titanium White powder for the highlights. Own ref photo used. Art by Wild Portrait Artist. Available for sale.

Combining Touch-up Texture and Titanium White powder, then glazing over the top with coloured pencils allowed me to get lots of depth in this tiny drawing! This method is pretty risky because the touch-up texture does flake off a little when drawing over it (mainly because of the paper I’m using) but I love the effect I can create with it!

 

Check out the extended and fully voiced tutorial, available right now, over on Patreon! You can also download the photo to try this miniature drawing out for yourself if you’re a patreon supporter.

I’ll be making a short version of the tutorial for my YouTube viewers soon so stay tuned!

While we’re on the topic of Patreon, don’t forget to pick up this month’s reference photos while they’re still there! These reference photos are all taken by me for use in your artwork with no copyright worries. Even if you’re not a Patreon, I upload one entirely FREE reference photo a month up there that everyone can download, so don’t forget to come back each month for your free reference photo!

Perhaps the most exciting recent update (well, for me, anyway!) is that I’ve been upgrading my recording setup for videos!

My previous microphone setup involved a cardboard box lined with audio foam and a tiny little condenser mic precariously balanced inside. It took up all of my desk space, was very DIY and wasn’t ideal at all! Plus the background hum from my computer’s fans in the was getting on my nerves… and yours! I’ve been long overdue an upgrade after having the same setup for two and a half years…. and that’s where you came in!

I want to say a huge thank you to all of you who’ve supported me since setting up my Patreon account! You’ve made these new upgrades to my recording setup possible and they’re going to lead to much better quality videos from now on.

My new microphone is much better at eliminating background noise so hopefully the audio quality of my videos going forward is going to be much higher quality! Unlike my previous mic (the Samson Go Mic) I’m also able to mount this one on a proper stand clamped to the side of my desk, meaning it isn’t taking up any desk space at all!

I also bought a little clip-on light bulb holder and daylight bulb to add to my lighting setup. I already have a desk lamp with a daylight bulb in it, but I’m hoping the additional bulb on the opposite side of my table will help improve the visual quality of my art timelapse recordings. It will eliminate any shadows under my hands that were making it hard to see what I was doing and give me more consistent lighting.

Whether or not you’re a Patron, I just want to say a huge thank you for your support on this journey of art. Art tutorials are something that I’ve really wanted to do, and I can’t believe how quickly my youtube channel has grown since I started up! I hope to keep continuously improving myself and the quality of my content!

I’m going to leave this here for now as this post is already long enough. Until next time!

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4 More Tips for Beginner Coloured Pencil Artists!

The next installment of my new coloured pencil tips series is out! If you are hard of hearing or prefer to read I have also included the transcript for this video below. It’s something I’d like to do more often in my videos but it can be pretty time consuming. I’ll try to do it when and where I can. I hope you find these tips helpful!

4 More Beginner Tips for Coloured Pencil Artists

 

Hi everyone, Wild Portrait Artist here! A while ago I did a video on four beginner tips for coloured pencil artists. This time around I’ll be bringing you 4 more tips, but be sure to check out the previous video if you haven’t already. Let’s get started!

Tip #1: Start with an accurate rough sketch

 

Without an accurate sketch, no matter how skilled you are with coloured pencils, your end result is going to end up looking wonky.

If you’re drawing freehand, be sure to use helpful tools like proportional dividers or a grid to better judge distances between lines and areas of the subject being drawn.

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For even greater accuracy,  use methods such as tracing. This is especially important when doing pet portraits, where clients expect an accurate painting or drawing of their pet. This is also a massive time-saver and something that I use often. If I freehand my work it can take me up to 8 hours just to get my rough sketch down, depending on complexity. Tracing cuts a massive chunk of time out of this process and allows me to get straight into the nitty gritty.

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Whether you’re tracing or free-handing, do your rough sketch on a separate piece of paper first, then transfer it using graphite paper onto the surface you’re going to be working on. This keeps the surface you’re working on nice and clean, and free of graphite smears and eraser marks. You can also use this to keep checking your drawing against your original sketch to make sure no features have accidently shifted or gotten larger or smaller as you’re working on them And if you mess up, it’s far easier to start over because you still have your rough sketch to hand!

You can make your own graphite transfer paper at home using tracing paper and a 9B pencil. Simply cover the entire surface of the tracing paper with graphite, and then blend it smooth using a paper blending stump. Apply two to three more layers in the same way, and hey presto! Homemade graphite paper. It lasts a good while and you can reuse the same sheet over and over again. It just needs topping up with graphite again every once in a while.

 

Tip #2: Use reference photos

 

Reference photos are a great way to supplement your artwork, no matter whether you’re drawing illustration work, people or wildlife. As a wildlife artist, I often find myself drawing animals I can’t easily draw from life. I use reference photos to help me understand my subject better. They’re especially important in pet portraits where you need to be as accurate as possible. You can use them to get an idea of a pose or composition, or to help you get a better idea of how fur flows around a subject, for example.

Be careful when selecting reference photos to directly draw from, though! Don’t use photos without seeking permission from the original photographer first or you’ll end up breaking copyright law. There are many websites and groups out there that offer royalty-free photographs that you don’t have to ask permission for in order to use in your artwork. Here are just a few of those websites to get you started:

 

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Make sure when using reference photos that it’s a good quality photo. You don’t want to use a blurry or badly-lit photo to draw from, because it’s really hard to see details and ultimately it will result in an inaccurate artwork. However, if you’re a little more experienced, you can also incorporate other reference photos to help supplement a bad reference photo.

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This is a reference photo I took last year of a great crested grebe. It’s really blurry, but I really liked the pose and wanted to make something with it. I brought in other reference photos to help me better understand what the beak and the brown crest on its head look like from close up even though most of that detail was lost in my reference photo.

In a future Art Tips video I’ll give you a more in-depth discussion on how to use and “read” reference photos and incorporate them into your artwork. Keep your eyes peeled for that video by subscribing to my channel!

 

Intermission:

I’ve seen many people (most often not artists or artists lacking in experience) try to argue that tracing your reference photo, or even using a reference photo at all, is cheating, and that there’s no point in “copying” off a photo because the photo itself already exists. I disagree. Please don’t feel guilty using tracing or reference photos for your artwork. Nothing in art is “cheating” –  this is not a video game or a school exam! As artists, we use whatever tools we have available to us to create. Even the old masters used a projection technique called ‘camera obscura’ to allow them to trace images onto their canvas.

As artists it’s our job to take the reference we’re working from and make it look even better than the photos we work off. For the grebe drawing I just showed you, I took a blurry photo and improved it by making a highly detailed drawing from it. Many pet portrait artists, for example, do much the same very frequently – they take often poorly-taken photographs from their clients, and turn them into beautiful fine art portraits of the clients’ pets. At the end of the day, the client wants a beautiful, accurate portrait of their pet. They’re not going to care what techniques were used, as long as the end result is good!

While I’m on this mini-rant, don’t let anyone tell you that your style of art isn’t art. Just because someone doesn’t like a particular style of art or the methods used to get there, it doesn’t mean that they get to decide what is and what isn’t art. Create what you love to create, not what other people tell you to. Okay, so that was kind of off topic. On to the next tip!

Tip #3: Keep your pencils sharp and don’t use a blunt sharpener

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When using coloured pencils it’s especially important to keep the points of your pencils nice and sharp. By having a sharp pencil, it’s easier to get into all the nooks and crannies of the tooth of the paper and it prevents all the little gaps of the original colour of the paper from showing through. What this means is that you get much better coverage with your pencils, and consequently you won’t need to burnish out – allowing you to fit many more layers in before running out of the tooth of the paper.

While we’re on the topic of pencil sharpeners, let’s talk about breakages. This is more often than not down to the quality of the pencils that you’re using, but your sharpener may also be the partner in crime for breakages too. When a pencil sharpener blade goes dull it is much more likely to cause the core inside your pencils to snap because there is greater friction between the blade and the pencil as it turns in the barrel. You can tell when a pencil sharpener is blunt when the wood from the pencil sharpens off into small flakes rather than one long curl of wood. When it starts doing this, it’s time to bin that sharpener

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Now, I’m not going to get into the whole manual sharpener vs. electronic sharpener vs. hand-crank sharpener debate. You can waste a whole lot of money on an expensive sharpener that does exactly the same job as a cheap one. Personally, I prefer manual sharpeners, as long as the blade is of good quality and not dull. I use just a cheap, 2-hole sharpener called the KUM Magnesium for sharpening my pencils. This pencil sharpener costs me just £1 and lasts me a good few months. When the blade goes dull, I throw it away and buy a new one. With some brands of sharpener you can even just buy replacement blades instead of having to replace the entire thing, which works out even cheaper still.
When sharpening lots of coloured pencils, this can result in the blade getting clogged with coloured pencil binder. Keep your pencil sharpener in tip-top condition and make it last longer by sharpening it with a graphite pencil every so often. Graphite acts as a lubricant, making it easier for the pencils to swivel around in the hole more smoothly. Doing this keeps the blade sharper for longer, and your pencils sharp as well!

 

Tip #4: Values are more important than hues

 

Before I really get into the crux of this tip, I’ll just quickly go over the essentials of what values and hues are. This explanation is very brief and I strongly recommend looking at more in-depth tutorials relating to colour theory to get a better understanding of this topic if you don’t have one already.

 

Hue explains whether a colour is more red than yellow, or more blue than green, et cetera. What it doesn’t tell you is how close to black or how close to white a colour is – that is where value comes in.

hue diagram

The term “value” explains how light or how dark a colour is – in other words its closeness to black or white. A darker shade of a colour will be closer to black than it will be to white, and vice versa for a light colour.

value diagram

Getting the values in your drawing right is arguably just as important as having an accurate rough sketch. If your drawing doesn’t have enough depth it’s going to end up looking flat, boring and ultimately not realistic or believable. It’s very easy to want to rush straight into getting the details down on your artwork but it’s really important that you get the values of your drawing properly balanced first.  You can very easily create a beautiful piece of artwork that doesn’t have much detail in it, as long as you get all the shadows and highlights in the right place.

One example of my own that comes to mind is my Hyacinth Macaw drawing. In this artwork I ran out of the tooth of the paper too early, and consequently wasn’t able to get it as detailed as I would have liked. But because I had taken the time to get all of my shadows dark enough and my mid-tones and highlights properly balanced before worrying about the details, it meant that I was still able to produce a piece that still looked realistic even without those tiny details.

Another key thing to do is to get the very darkest areas of your drawing in first, and that way it makes it much easier to judge how light or dark you need the rest of the piece to be. Look for the deepest shadows on your reference photo, work on those first. Don’t be afraid of going in really dark with your pencils. Be careful not to burnish too soon though – you still need to be able to adjust and tinker with those areas later on when you’ll be working on finalising and refining your drawing.
A super easy way to better judge the values of your piece and whether or not you need to go darker or lighter in areas is to take a photo of your artwork with your phone, and then turn it greyscale in a photo editor. This completely gets rid of all the colours in your work allowing you to just see the values.

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It’s much easier to see how light or how dark something is when colour is removed. You can also do this on your reference photos when working off them for the same reason. With a bit of practice you’ll soon easily be able to see where the darkest shadows and brightest highlights in a photo are without needing to do this.


And those are my four beginner tips this time around! I have quite a large list of beginner tips lined up now so keep your eyes peeled for the next instalment of my coloured pencil beginner tips series. If you have any suggestions for what to include in the next video of this series I would love to hear them. Feel free to leave your suggestions in the comments section below!

 

If you’re hungry for more coloured pencil tips and tutorials why don’t check out my other videos? You can also click that subscribe button for more future art tips, tutorials and art product reviews. I also have a Patreon, where you can pledge in order to get extended, fully voiced-over art tutorials, royalty-free reference photos taken by me, signed prints and posters, and occasional bonus content.
Thanks so much for reading. The support in the previous beginner tips video has been unreal and I hope you found this one just as helpful. Until next time!

 

 

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Stabilo CarbOthello pastel pencils review and playing with Acrylic Paint

It’s that time of year again where all sorts of colds and bugs are going round, and unfortunately I finally succumbed to it this week! Being ill sucks but I was still determined to get some art done in between my sneezing and coughing!

My review of Stabilo CarbOthello pastel pencils is now available for you to watch on my Youtube channel, and I also show you how I drew my leopard portrait in pastels in this video too!


I’ve also been playing with my Rembrandt soft pastels for my upcoming review of them on YouTube! This landscape was a quick A4 study and took me around 50 minutes. Hopefully I should have a video about them up as soon as my voice recovers!

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Recently, on a whim, I bought some Winsor and Newton Galeria acrylic paints to try out. I’ve not painted with acrylics since my art GCSE. It’s amazing how much you remember about a medium even after a decade! This is a little 2-hour test painting  on a cheap canvas board that I did with them using my own reference photo. Not the most exciting of paintings and the canvas texture was a little too rough to get detail in easily, but I just wanted to see what I was capable of!

This little guy is a blue tit on 18 x 12.5cm canvas board. Own reference photo used. It only took around two hours to complete!
This little guy is a blue tit on 18 x 12.5cm canvas board. Own reference photo used. It only took around two hours to complete!

I was surprised at just how much I enjoyed painting with them so I decided to start on a more serious project.

Yesterday I started a painting of a male greater kudu in acrylic. I’m doing this on an ampersand smooth board which was left over from a failed coloured pencil attempt (yay for recycling!) This is a very different way of working to what I’m used to in coloured pencils, so I’m finding it a little tricky! It’s so much fun though!

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I need to stop working on so many pieces at once! Last but not least, I’m still working on my okapi drawing in coloured pencil. The okapi’s face is starting to come together now that most of the underpainting in that area is done! Started off with just blues and greens and black, but I added some reddish browns and bright purples into the shadows of the fur afterwards as an experiment, and WOW did it bring the animal to life!

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There’s still a lot of work left to go on this guy but I’m having so much fun with those green and blue pencils that the time is flying by. It’s kind of hard to even tell what you’re looking at at this stage as none of the fur or fine details have been blocked in yet (!) but hopefully it’s going to start taking shape and start looking a lot more tangible soon.

Until next time!

 

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“Troy” pet portrait, and amur leopard in soft pastels!

"Troy" - 11 x 14inch commission in coloured pencil. Art by Wild Portrait Artist. SOLD.

 

troy finished low res watermarked for fb and insta
“Troy” – 11 x 14inch commission in coloured pencil.

This beautiful boy was one of my Christmas commissions. His endearing puppy-dog-eyes and sweet expression were so much fun to render  It was so refreshing to work with paint thinner again for my coloured pencil art too. I didn’t realise how much I missed it!

This piece was drawn using Caran d’Ache Luminance, Caran d’Ache Pablo, Faber Castell Polychromos and Derwent Drawing coloured pencils. The paper I used was Fabriano Artistico 140lb Hot Pressed Watercolour Paper. I used Daler Rowney odourless paint thinner to blend. Touch-Up Texture and Titanium White powder were used on the chest to pull out the white hairs and highlights on his collar.

My sped-up tutorial is available to watch on YouTube now. The 2 hour version of tutorial will also be available for my Patreon supporters at the $4 tier very soon!

 

I also completed my drawing of an amur leopard in soft pastels last week.

"Determination" - 30 x 40cm portrait of an amur leopard in pastels.
“Determination” – 30 x 40cm portrait of an amur leopard in pastels.

 This piece is now available for sale on my Etsy, so check it out if you’re interested! 

This was such a fun experiment. I may have started off a little wonky on the chin and mouth area, but once I got the hang of the medium it was as natural as riding a bike.

The tools I used to create this piece are Rembrandt soft pastels and Stabilo Carbothello pastel pencils on Clairefontaine pastelmat. Reference photo by Katerina Mirus from Wildlife Reference Photos, used with permission.

Soft pastel is a really enjoyable medium to work in. Expect to see more in this medium from me in the future! I can definitely see myself doing lots of little landscape studies in this medium.

The fully commentated tutorial video for this piece will be available this weekend! I’ll also be reviewing and discussing my thoughts on the brands I used to make this piece too. I might end up splitting it into two videos depending on how long it is. Stay tuned!

 

Last but not least I also started on a new coloured pencil drawing this week.

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“Mythical Beast” – work in progress. Coloured pencils on Fisher 400 sanded paper. I’m about an hour into this drawing so far.

I’m so excited to share this one with you. The concept to this drawing has been swirling around in my head for months now and I finally have a spare moment to start putting it onto paper! 😀 The subject for this drawing is my absolute favourite animal – the okapi. They are an endangered species native to the Congo and their closest relative is the giraffe. When they were first discovered they were so strange-looking that they were thought to be mythical creatures – hence the title of this piece – “Mythical Beast.”

I’m trying to get a sense of mystic surrealism in this portrait so I chose to have the okapi looking up at the aurora borealis – something you would never normally see in the tropical forests! It also gives me the excuse to use lots of pretty blues and greens, muahaha!

I’m using Caran d’Ache Pablos, Caran d’Ache Luminance, Faber Castell Polychromos and Derwent Drawing pencils for this drawing. I’m using powder blender to blend the background, but I’ll also be trying out paint thinner when I get to the okapi itself as I’ve never tried using paint thinner on sanded paper before! I still marvel at how quickly I can get things done with the powder blender. I’m only an hour and ten minutes into the drawing so far, and my background is already almost finished!

I’m also trying out Fisher 400 paper for the first time for this drawing. The tooth of the paper is wonderfully consistent, and in my opinion is superior to UArt paper.

 

This is turning into a long blog post so I’m going to leave it here for now! I’ve got lots more in store for you guys so keep your eyes peeled 🙂

 

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Christmas Update

"First Snow" Watercolour sketch

This is just a quick update to wish you all a happy holiday season regardless of what you celebrate, and to let you know what I have in store for you guys in the new year. Now that the busiest season of the year is over, I can relax and put my feet up! ;D

 

Last month I uploaded the commentated timelapse tutorial for my hyacinth macaw drawing on youtube – check it out if you haven’t already! Just one thing I would like to mention in addition to what I have said about UArt 800 paper in this video – it turns out that the weird rippling effect I couldn’t get rid of was due to a manufacturing fault from a faulty batch that went out in 2015. I have since got in touch with UArt and they have very kindly offered to send me a replacement. If you have been experiencing similar issues with this particular brand of sanded paper then it is most likely due to that.

Now that my top-secret Christmas commissions are complete I have time again to work on other things. I’ve sketched out a fox from a gorgeous reference photo from wildlifereferencephotos.com. I’ll be trying out the Derwent Inktense sticks and pencils on this piece for a review on my YouTube channel. I love the reference photo I’m using, the fox has such a cheeky sly grin, I just hope I can portray it successfully in my rendition of it. Can’t wait to get painting!

cheeky fox sketch

 

Another project I’ve just started on is an amur leopard in pastels! For this piece I am using Rembrandt soft pastels and Carbothello pastel pencils on Clairefontaine Pastelmat. I’ve never properly used pastels before (the last time I used them was the doodle of a red cardinal I did two years ago). It’s an interesting experience. I have no idea what I’m doing but it’s fun! Right now I’m laying down dark colours to act as the underpainting, and then I’ll draw in the fur in lighter colours on top. This could go terribly wrong but it’s all a learning experience! 😉 I’ve always wanted to work in pastel but have never taken the plunge properly before now. We all have to start somewhere!

amur leopard work in progress in soft pastels

That’s about it for now. I’ll have tutorials/product reviews for both of the above coming in January/February, as well as a fully voiced tutorial for one of my christmas commissions in coloured pencil, so stay tuned! See you all in the New Year!

 

 

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Finished cheetah drawing and tutorial

"Relaxed Afternoon" 42 x 29.7cm coloured pencil drawing on UArt 600 Sanded paper using powder blender. Own ref photo used. Art by Wild Portrait Artist. Available for sale.

Whew! It’s finished! Up till now the only things I had drawn using the powder blender were invertebrates, which are generally very shiny and easy to shade. I wanted to see how easy or difficult it would be to draw fur using the colored pencil painting kit, so I decided to draw this!

I discovered that it was so easy to draw in light hairs over a darker base colour, which made drawing fur miles easier! I used Uart 600 paper for this piece, instead of the Uart 800 paper I used in previous pieces, so it had a little more tooth. I found I could layer a lot more before running out of tooth, however the tradeoff for this was that I had difficulty in getting fine details and thin pencil lines. It was a fun drawing! It took me around 20 hours in total.

"Relaxed Afternoon" 42 x 29.7cm coloured pencil drawing on UArt 600 Sanded paper using powder blender. Own ref photo used.
“Relaxed Afternoon” 42 x 29.7cm coloured pencil drawing on UArt 600 Sanded paper using powder blender. Own ref photo used.

 

You can watch my commentated tutorial on how I created this drawing here:


Last but not least I just started working on my next graphite drawing! This time I’ll be drawing my grumpy old ragdoll, Suki this is the second in a pair of portraits, matching the one I did last year of Toto. I’ll be using Mars Lumograph pencils for this portrait for a product review video, and will let you know what I think of them next week! 🙂

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How to use fixative sprays + new cheetah drawing!

cheetah colored pencil drawing work in progress using uart 600 grain paper and colored pencil powder blender

In this week’s Art Tips video I show you how to spray your artwork with fixative spray the right way!

 

Last week I started a new coloured pencil drawing using powder blender! I’m using my own reference photo of a cheetah from Chester Zoo for this one. This time I’m using UArt 600-grain paper and seeing how it compares to the 800-grain that I’ve been using in previous drawings. Really excited to be back to drawing fur again!

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On Friday I’ll be uploading a commentated tutorial to Youtube on how I drew my jumping spider, so stay tuned!

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Powder Blender tutorial!

"At the Edge" - 29 x 22cm, coloured pencil on UArt 800-grain paper. Made using the Colored Pencil Painting Kit. Art by Wild Portrait Artist. Available for sale.

Phew! A lot of updates this week. 3 completed full-blown drawings and two videos within one week is probably my best ever rate of production, though I should probably sleep at some point! 😂

Earlier on in the week I recorded an in-depth video review of the full coloured pencil painting kit  in which I discuss my opinions and my experiences with the powder blender and the rest of the Painting Kit range! If you have any interest in the powder blender and the rest of the kit, please do check it out! Also, if you live in the UK, Jacksonsart will be getting it in stock by the end of September! 😀

"The Alien" - 29 x 22cm, colored pencil on UArt 800-grain paper. Created using brushandpencil Powder Blender and Textured Fixative by Alyona Nickelsen
“The Alien” – 29 x 22cm, colored pencil on UArt 800-grain paper. Created using brushandpencil Powder Blender and Textured Fixative.

This is the drawing I made using the powder blender for my review. This piece only took me 6 hours!!! That is SUPER fast considering most pieces of this size, without the background, can take me upwards of 12+ hours usually! I still can’t believe how quickly I flew through this piece! I also made a commentated video tutorial for this drawing too which you can see below, which shows you just how easy the powder blender is to use with coloured pencil!

 

 

And last but not least, this drawing was fresh off the easel last night. Again, created with the Colored Pencil Painting Kit by Brush and Pencil. I love jumping spiders, they are such inquisitive little guys!  The video tutorial of me drawing this little guy will be out on Friday next week! Reference photo used from Roverhate on Pixabay.

 

"At the Edge" - 29 x 22cm, coloured pencil on UArt 800-grain paper. Made using the Colored Pencil Painting Kit.
“At the Edge” – 29 x 22cm, coloured pencil on UArt 800-grain paper. Made using the Colored Pencil Painting Kit.

That’s about it for this week! Phew! I think I need to lie down and sleep now! Stay tuned next week as Monday’s Art Tips video will be a mini-tutorial on how to spray fixative onto your drawings properly, and on Friday I’ll be posting the fully-commentated tutorial of my jumping spider drawing!

Adios, amigos!